TheTwilightts

Intervjun är väldigt bra och helt klart värd att läsa! Här kommer ett utdrag från intervjun. Klicka på bilderna för att läsa hela.

“Look at a picture of me before I was 15. I am a boy. I wore my brother’s clothes, dude! Not like I cared that much, but I remember being made fun of because I wasn’t wearing Juicy jeans. I didn’t even think about it. I wore my gym clothes. But it’s not like I didn’t care that they made fun of me. It really bothered me. I remember this girl in sixth grade looked at me in gym and was like, ‘Oh my God! That’s disgusting—you don’t shave your legs!”

Källa

// Prietha

Kristen Stewart gästade igår ”Live with Kelly” och här kommer intervjun uppdelad i två delar. Jag ska försöka hitta intervjun i bättre kvalitet, men detta får duga så länge! Om du kan så tryck på kugg hjulet i höger hörn och ändra till det högsta som finns.

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/ Prietha

Källa

// Prietha

PS: Som Kristen sa: Journalister kan skriva saker som inte är sanna eller förvridit det hon har sagt

TheTwilightsaga

// Prietha

Här kommer en ny intervju med Peter Facinelli (Carlise) från Comic Con i Chile. Intervjun är översätt från spanska till engelska. Han pratar bland annat om hur det känns att Twilightsagan börjar gå mot sitt slut.

In this interview, the actor talks about his feelings about the imminent end of the saga ”Twilight” and his desires to consolidate as a writer and producer of his own tapes.

”I remember when I was in the first `Twilight’ movie, I really wanted to not have Edward touch Bella, apart from when he saves her life and when they kiss the first time,” said Pattinson, lightly rumpled but friendly and poised after a long day of press interviews. ”I was thinking of the (Ang Lee) movie `Lust, Caution,’ and thinking there should be this tension there the whole time – just standing near someone there’s electricity.

CANNES, France – Robert Pattinson has gone from playing a vampire to depicting another kind of bloodsucker – a billionaire financier whose world crumbles in the course of a nightmarish cross-town drive in ”Cosmopolis.”
The ”Twilight” heartthrob stars in David Cronenberg’s Cannes Film Festival entry as sleek, self-centered moneyman Eric Packer, who sees his fortune and sense of self evaporate during an eventful day in his stretch limo.

Pattinson’s famously handsome face is on-screen in every scene, but ”Twilight”`s young fans may be surprised and confused by a film that explores Cronenberg’s fascination with physical, social and psychic violence.

The 26-year-old actor is not worried.

”If some 12-year-olds went to go and see that, or got the video for their birthday – sitting down and watching that, it’s incredible,” the actor said during an interview on a Cannes hotel rooftop. ”I would love that to happen if I was a kid.”

It’s a bit of amiable mischief-making from an actor who wants to be known as more than doe-eyed vampire Edward Cullen, in love with human Bella Swan in the ”Twilight” saga.

He said he craves the cinematic understatement that blockbusters don’t always provide.

”I remember when I was in the first `Twilight’ movie, I really wanted to not have Edward touch Bella, apart from when he saves her life and when they kiss the first time,” said Pattinson, lightly rumpled but friendly and poised after a long day of press interviews. ”I was thinking of the (Ang Lee) movie `Lust, Caution,’ and thinking there should be this tension there the whole time – just standing near someone there’s electricity.

”But sometimes it just makes things too hard. You kind of forget that most people want to go to the cinema just to watch a movie rather than watch something really weird.”

”Weird” is par for the course with Cronenberg, and Pattinson gets plenty of scope to stretch himself in ”Cosmopolis,” playing a hollow-eyed Master of the Universe forced to confront his mortality.

Events, emotion and violence keep intruding on the hermetically sealed universe of his limo as he tries, futilely, to cross a crisis-wracked Manhattan in search of a haircut.

Packer crosses paths with characters including his aloof wife (Sarah Gadon), his arty lover (Juliette Binoche), a pie-throwing protester (Mathieu Amalric) and a murderously angry former employee (Paul Giamatti).

Packer is not, to put it mildly, a likable character. Some have seen him as an avatar of Wall Street excess, but Pattinson says he watched interviews with serial killers Jeffrey Dahmer and Ted Bundy, rather than real-life financiers, to help him create the character’s voice.

”He’s like an alien,” Pattinson said of the character.

”He’s not part of his body. Everything is an abstraction. The world’s an abstraction. Everything is.”

The film has been widely described as a dystopian reflection of the present crisis of capitalism – but Pattinson sees it in a more cheerful light, as Packer learns to face his humanity.

”I always thought it’s kind of a happy story, up until the right at the very end,” he said.

”He’s suddenly starting to feel and he becomes more physical as the day goes on, more alive. He feels like he’s part of the world.”

Packer is cut off from other humans by wealth and temperament, cocooned in his car and protected by vigilant bodyguards. Pattinson has, to an extent, been cut off by fame. He and his girlfriend and ”Twilight” co-star Kristen Stewart are magnets for paparazzi and fans.

Pattinson said the experience had given him insight into some aspects of Packer’s situation.

”Some of the stuff with the bodyguard, because when I’m doing press and stuff and when I’m working I have a bodyguard who I get really close with,” he said. ”There’s a very specific relationship and that was one of the things I kind of got.”

Pattinson’s ”Twilight” fame has trailed with him around Cannes, but Cronenberg said it had no bearing on his decision to cast the actor.

”You must ignore the baggage,” the director said.

”It is very easy to say that this character, Eric Packer, is vampire or a werewolf of Wall Street, But really that’s rather superficial. He’s a real character and a real person in the movie.

”This is a real person, with a history and a past. And the history and the past is not `Twilight.’ It’s `Cosmopolis.’”

Pattinson came to Cannes with Stewart, who appears in Jack Kerouac adaptation ”On the Road.”

”She found out a lot earlier than I did that it (”On the Road”) was in competition,” Pattinson said – leaving him seething.

He’s happy now, though, and still can’t believe the reaction to the strange and unsettling ”Cosmopolis.”

”When there’s people screaming outside, I’m like, `This is incredible,’” he said. ”That people are screaming for this, the most bizarre movie – it’s amazing.

”I wasn’t expecting anyone to get it. Even last night (at the premiere), I was expecting everyone to walk out.”

Källa

//Prietha

Michel: You were here in 2009, you walked the red carpet. We have footage. You did it again yesterday for another movie, for On the Road and you’re going to do it again tomorrow for your first movie in competition. Cosmopolis by David Cronenberg, that’s long-awaited. You said this movie changed you life. I quote from Premiere magazine: you said it gave you balls.
Rob: I don’t know why everyone brings up the balls thing. I think it got lost in translation. I wanted to say that I got balls surgically attached to my body during the whole movie.

Michel: So it’s the story of a golden boy working in finance, an adaptation from Don DeLillo’s novel, Frédéric.
Frédéric: He’s an AMmrican author that’s very well-known who talked a lot about society and the dangers of finance. But also about power. I was thinking, I mean I’m sure you’ve read the book to prepare for the role but did you also study bankers or watch trader movies, Wall Street or American Psycho maybe to work on the role of Eric Packer, this dangerous banker? That was a long question.
Rob: I didn’t think it was related to finances or traders. I liked the lyrical aspect of the script. I tried to prepared myself my own way like for my other roles. But it was pretty much impossible because there was no way to deal with this the normal way.
I don’t know, there might be some inconscious aspects that come out of the character.

Ariane: Sarah, apparently you guys had a fight on the first day on set?
Frédéric: You’re his wife, right?
Ariane: Is that true?

Sarah: No!
Frédéric: In the movie you have a fight.
Ariane: Robert, on the first day on set, apparently she asked you how you worked on your character and you got upset?
Rob: Oh no, it wasn’t an argument. It’s just that she asked me an embarrassing question and ..
Sarah: I just asked how he prepared for the role, I’m sorry
Rob: And I started crying, there.
Sarah: I’m sorry, maybe I shouldn’t have. I just, I was trying to make conversation, I wasn’t trying to fight.
Rob: I was so nervous, if anyone asked me anything, even for a camera test, I was shocked and panicked. It was terrible.

Michel talks about the movie coming out tomorrow in France and then they show the trailer.

Michel says that the movie happens in one day, in pretty much only one setting, in Manatthan that’s stopped because of the president’s visit’s in town.
There are French actors in the movie, Mathieu Almaric and Juliette Binoche.
Rob: Oh sorry, I am so deaf. I’m 26 and an old man already.
Élise: We know that you’re an Audiard fan, could we see you one day make a movie with a French director?
Rob: No, definitely. My next film is with Jean-Stéphane Sauvaire, who directed Johnny Mad Dog that was presented here a few years ago. I love French filmmakers, I love French people, they’re very easy to like.

Asking Sarah about filming with Brandon Cronenberg and if it was different working with both father and son.
Sarah: there’s definitely a ‘Cronenberg gene’and it was fun to see the difference between the two directors.

Asking her about David not giving much direction son his sets and if she was surprised when she saw Cosmopolis.
Sarah: When I saw Cosmopolis was I surprised? No, not really at all. I think david knows exactly what he wants when he directs you. It was sort of like a journey and what I admire is all these layers, finding meanings hidden behind other meanings. You see things completely differently after that.

Michel: We received Charlize Theron and Kristen Stewart not long ago and in La Boite Questions, one was about you, Robert Pattinson.
Question: Something really not sexy about Robert Pattinson?
Kristen: Oh come on.
Charlize: I’m gonna have to say his socks?

What’s the matter with your socks?
Rob: Charlize likes to come into my house at night and sniff my socks and underwears. When you do stuff like that, there are necessarily some surprises. It’s not my fault.

Do you have socks on right now?
Rob: *laughs* Yesss. I’m really nervous now that there might be something wrong with my socks, I never payed attention to it before. It’s so weird.

You’re reaching a mark with Cosmopolis and then we’ll see you again in Breaking Dawn part 2.
Rob: Yeah, it’s coming out in November. It’s funny we did some reshoots recently and it’s funny. I mean the Twilight movies aren’t funny but we do laugh a lot. I hope that people will like it.

And then Frédéric asked Rob to sign an autograph for his daughter.

Finally, they’re saying that the movie premieres tomorrow and that we might see on Sunday night for the winner’s announcement. Thank you both for coming.

Källa

// Prietha

Håller själv på att läsa boken online är på sidan 2.. Hoppas den kommer ut på svenska.. Annars tar det nog nån månad att läsa ut den..

Hittar inte sidan jag läser den på (Läser på telefonen) Kommentera om du gör!

Hittils verkar den bra.. ;))

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// Prietha

Bra jag som tänker på "Sommaren i City" när Erotica låten kommer upp i videon?